I’m beginning to think that maybe solitude is the success.
I don’t want money. Growing up, I was welfare poor. That’s right. I said it. Now, even though I’m inching up in life, I’d rather be welfare poor than rich without morality and concern for other people who are hurting below me. I get the concept of work. Sometimes. But I never really understood money.
I don’t want to be the smartest person alive, though, that’s tempting. To be that person who can rattle off knowledge or pull it from her pocket. People need to know more things than other people. Though I’m far from immune to this tendency, I know deep down that I don’t need to collect facts, stockpile knowledge to make others feel ignorant, stupid, LESS than me.
I don’t want a big house or to discover the American dream life, the “home is where the heart is” bullshit they feed you for breakfast. I never belonged in any home anyway. AND THAT’S OKAY, I’m beginning to realize.
THIS. This is what I want. Mommy, daddy! Buy me this for Christmas! Put this in a box and wrap it up, eh?
The following passage is from Pablo Neruda’s collection of writing found in Passions and Impressions (1984). It was originally posted in La Nación in 1924. It’s an introduction of some sort to how he saw a collection of his poems (his life, really) all together, which he admits is impossible. “Tying them together, interweaving them, never finding what will endure—because it does not exist.”
I had to type it up word for word because this doesn’t exist on the internet apparently. I guess this is what happens when you say fuck the internet to go sifting through the library instead. You find gems.
This piece is about self-expression, creation, and finding yourself in solitude. It seems to say you can set yourself free when you can pinpoint your expression. You don’t have to define yourself, confine yourself to anything, but if you have something that pulls passion from you, and you know it, it’s worth muddling through yourself. Obviously, muddling through and translating it into a piece of something you can see, touch, hear, get others to relate to etc. takes time and pain. A lot of QUIET time. Quiet time is especially hard because of how noisy everything is. How many interjections there are rolling around the internet, the 9-5 life, and in so many other places. The pain comes from isolation, from being absent from other people’s lives. This is hard for me. Maybe it’s hard for you too.
Take a read. I have put in bold italics the things that I think are worth re-reading again. Re-reading sentences over and over again lets things sink in more for me. Enjoy!
“Exegesis and solitude”
“I have undertaken the greatest act of self-expression: creation, hoping to illuminate words. Ten years at a solitary task, ten years that make up exactly half my life, have generated in my writing diverse rhythms, opposing currents. Tying them together, interweaving them, never finding what will endure—because it does not exist—I offer her my Veinte poemas de amor y una cancion desesperada. As scattered through in its elusive variations, joyful and bitter, I have fashioned them, and I have suffered no little in doing so. I have simply sung of my life and my love for certain women, as one would by shouting greetings to the parts of the world closest to him. I sought increasingly to link my expression with my thought, and I achieved some small victory; sincerely, and consciously, I put something of myself in everything I wrote. From afar, honorable people, people I didn’t even know—not clerks and pedagogues, who personally detest me—unhesitatingly demonstrated their friendliness. I didn’t respond, but concentrated all my strength on damming the tides, my only concern to pour intensity into my work. I have not tired of any discipline, because I followed none: the hand-me-down clothes that fitted others were either too small for me or too large; I acknowledged them, without looking. Always a meditative man, I have given lodging, as I have lived, to too many anxieties for them to vanish because of what I write. Facing in no particular direction, freely, irrepressibly, my poems have been set free.“